The Brothers Grimm
I’m a huge Terry Gilliam fan. The Criterion edition of Brazil is one of the two DVDs I’m taking with me to the grave (the other being the Book of the Dead edition of Evil Dead). Even the stories of his glorious failures are more interesting than most people’s movies, as seen by Lost in La Mancha.
And that’s why his latest release, The Brothers Grimm, has me worried. So far, it has not been particularly well received by audiences in America, gathering an unimpressive 5.9⁄10 on IMDB - making this his lowest-ranking film yet. What’s more, it hasn’t been well received by critics either. Some of the reviews on Rottentomatoes paint a pretty grim (if you’ll excuse the pun) picture.
But what’s most worrying is Gilliam’s counter-reaction; he has labelled the film’s critics as “narrow minded”, even going so far as to say ““Everybody has their opinion - and some people are wrong.”
Of course, there’s no way I’m going to miss The Brothers Grimm when it opens here on November 4th, and I really hope I’m going to love it. But it certainly carries a certain amount of baggage, knowing that if I don’t like it, I’m “wrong.”