lowbrowculture

collects stories and ideas from John Kelly

R-Point

I’m convinced there’s a good war-themed horror out there somewhere. What started out as a general disappointment with Michael Mann’s The Keep has taken me through The Bunker (awful) and Deathwatch (starts out promising, quickly turns awful). From reading IMDB’s message boards, I thought Kong Su-Chang’s R-Point would answer my prayers.

It tells the story of a squad of Korean soldiers in the Vietnam war sent to investigate radio transmissions coming from a group of soldiers thought to have been killed six months previously. Which is the same setup as Deathwatch. And that’s the problem. Using the plot of Deathwatch as a foundation, R-Point tries to blend a mixture of Platoon, Apocalypse Now, The Blair Witch Project and The Shining, even going so far as to visually name-check some of these films. And among all these heavyweights, the few original things the filmmakers bring seem quite tame and undercooked.

On paper, it’s a recipe for magic: war-themed horror mixed with the nerve-shattering tension that Asian filmmakers seem able to tap into so well. In reality, R-Point is a disappointing anti-climax. Oh well, i still have high hopes for Worst Case Scenario