Blown away.# 1 minute read · Thursday Mar 7, 2013
Dead End Thrills is a lovely blog that takes screenshots of beautiful games and presents them as best they can. For example, to generate this lovely image from Stalker, they used nine graphical mods. These are things you can add to the game to make it look even prettier. To produce the image from Kentucky Route Zero above? None. Just a bit of offline antialiasing in Photoshop to smooth some of the lines.
It's a beautiful game. And now you can buy it on Steam.# Wednesday Mar 6, 2013
Journey's composer, Austin Wintory, gives a fascinating annotated walkthrough of the game's orchestral score.# 1 minute read · Wednesday Mar 6, 2013
"The next and much bigger piece [of the business] is microtransactions within games," he revealed. "We're building into all of our games the ability to pay for things along the way, either to get to a higher level to buy a new character, to buy a truck, a gun, whatever it might be, and consumers are enjoying and embracing that way of the business."
It's a shame, because the game itself could be great. It features some of the most impressive mobile graphics we've ever seen, the list of cars and courses is endless, and the way it integrates your friends' lap times into your races for a pseudo-multiplayer experience makes it all the more immersive. The problem is that it all just feels so cheapened by the business model; while it's possible to play the game a little each day without forking out money ... the constant nagging for cash grates.
# 2 minute read · Friday Mar 1, 2013
There's a good game somewhere within Real Racing 3 - and there are plenty of free-to-play games that prove this model can work successfully while respecting the player. Firemonkeys, and perhaps more pertinently EA, have got that balance horribly, horribly wrong, to an extent where the business model becomes the game - with gut-wrenching results.
# 1 minute read · Tuesday Feb 26, 2013
In addition, let me take this opportunity to apologize to anyone who's ever been offended by anything at any point throughout time. To be challenged in any way, or made to feel an emotion that is not immediately recognizable, is the worst thing in the world, and something for which the incredible human gift of language should never, ever be used. We are sorry if your feelings were ever hurt about anything.
I've been following this routine for a couple of weeks now and, so far, it seems to be working. I process my inbox a couple of times a day and then spend the rest of my time in the 'starred' section, clearing out anything that needs some attention. One thing I've noticed about this is that I'm much more likely to reply to an email now, even if it's just a two-word response. I'm usually prone to procrastinating about replying to people, especially if the answer is in the negative. Strange that this email strategy seems to have broken me of this.
Unfortunately, Sparrow seems to be the only desktop Mac mail client to support Gmail keyboard shortcuts. Mail client developers: support Gmail keyboard shortcuts!# Tuesday Feb 26, 2013
Peanut Gallery: A script that takes a start time and an end time and generates a subtitle file for your twitter stream (or a given hash tag), so you can watch a show or other live event with (time-shifted) real-time twitter commentary.
I woke up this morning to a twitter stream full of amazing Oscar commentary. For example, from the ever-reliable Zodiac Motherfucker:
@ZODIAC_MF GET MRS POTATO HEAD THE FUCK OUT OF HERE
By itself, this is a hilarious sentence, but who is he talking about? Without context, I'm missing something. Actually, for most of my twitter stream last night, I don't know what people are referring to. I'd say the same thing happened for anyone who wasn't watching the Sony PlayStation announcement. For certain shows and events, a snarky running commentary makes that show infinitely more entertaining.
I'll probably watch the Oscars tonight -- time-shifting a live event -- and I'd love to be able to time-shift my twitter stream as well. I think a subtitle track for my media file would be the best way of doing this.
Unfortunately, I think this is the kind of thing Anil Dash was referring to in his essay The Web We Lost: I don't think Twitter's API allows this kind of usage. Shame.# 2 minute read · Monday Feb 25, 2013
Remember Guy's American Kitchen and Bar? The restaurant Pete Wells slated in the New York Times? Its domain name is guysamerican.com. Bryan Mytko bought the domain guysamericankitchenandbar.com and produced this. And it's glorious. "35 oz of super-saddened, Cheez-gutted wolf meat" is one of the best lines I've read since the hey-day of Charlie Brooker's TV Go Home.# Wednesday Feb 20, 2013
Michael Heilemann's site is to Star Wars what Lee Unkrich's The Overlook Hotel is to The Shining. Exhaustive and written by a true obsessive. Beautiful.# Tuesday Feb 19, 2013
Even if you're not suffering from depression (or if you think you're not suffering from depression), you should play this. Touching and extremely well-done.# Tuesday Feb 19, 2013
Part of Austin Kleon's Love Blackouts# Friday Feb 15, 2013
Happy Valentine's Day.# 1 minute read · Thursday Feb 14, 2013
This is interesting. Netflix analysed its data and concluded that a lot of people liked political thrillers, a lot of people liked Kevin Spacey and a lot of people liked films directed by David Fincher. And so the first show they've bankrolled is a political thriller starring Kevin Spacey and directed by David Fincher. And rather than some lowest-common-denominator, design-by-committee bullshit, it actually turned out pretty good.# Thursday Feb 14, 2013
I am guilty of this myself, of course. When Half Life started and the creators were showing me the living, breathing world outside of the rail car, I was too busy to notice, trying to jump out of the car through the window. In Half Life 2, when Alyx was telling me something important, I couldn’t hear it over the explosions of the grenades I kept throwing at her.
This week's This American Life has a story about how babies are like scientists, and by doing things like, say, dropping their forks on the ground, they're actually working out the logic of the world. Because each game is different, with different rules and different logic, players have to do their own experiments. It's just a bonus that these experiments so often lead to hilarious, ridiculous situations.# Friday Feb 8, 2013
I think that Berg's Little Printer is a great idea. It's right in the middle of the junction between magical technology and tactile physicality (I also think its £199 price-point is insane). This is a really nice insight into the design process behind it.# Thursday Feb 7, 2013
Tegan and Sara have spent years putting out what I can only assume are perfectly fine indie records. I wouldn't really know, because they never really appeared on my radar (I listened to Sainthood a bit, but it didn't grab me). Now, they put out an album of amazing pop and I can't get enough.
Bullshit indie bands: more amazing pop, please.# 1 minute read · Thursday Feb 7, 2013
I'm finding it impossible to deal with Far Cry 3 in its own terms. It's much easier for me to talk about it in terms of games it's not.
It's not Far Cry 2, for example. Oh my God, Far Cry 2 hates the player. Never mind the respawning enemies making sure that every square inch of that game's sprawling African savannah was actively hostile towards the player. And this was the least of your worries. More than once when I was playing that game, I found myself in the middle of a firefight when my gun would suddenly just fall apart in my hands (weapons 'wear out' in Far Cry 2), I'd panic and run away to consider my next move and that's when my character would suffer a malaria attack (your character is infected with malaria at the start of Far Cry 2 and spends the rest of the game dealing with this). And then I'd die.
Far Cry 3 is not this. It's much more forgiving. More hand-holding. Almost to a fault. Straying too far off the prescribed path (even during the tutorial) will result in a 'mission failed' screen. It's not messing around. It doesn't want you actually exploring the huge, open island without making sure you fully understand the mechanics and the context. As helpful and friendly as this is, I can't help but feel like this is a step back. It takes fewer risks. It's less dangerous. Much as I disliked the random bullshit in the previous Far Cry game, it was at least remarkable.
Speaking of exploring, Far Cry 3 is not Proteus or Misasmata. It's not even Dear Esther. These are all island-based games that are very much about exploration. Proteus and Dear Esther are nothing but exploration. You get from it what you get. Miasmata has a story and a history for you to peel back, layer after layer. Your exploration is rewarded with a deeper understanding of the narrative. It's like the designers took a look at Lost and thought "there's a game there."
Far Cry 3 is not that either. The game is set on a couple of huge, open islands with a long, varied history, but there's actually very little to explore. Every hut on the island is the same. Every cave is the same. There are WWII-era gun emplacements. There are downed aircrafts. There are beached tankers. But these are all just eye-candy, not actually things that affect your game in any way. They don't reveal anything about the story of Far Cry 3 or the history of the Rook Islands. I found one cabin with a body in a noose, but without any context for who this guy was or why he hung himself, it's just a meaningless non-sequitur.
And this is the problem with Far Cry 3 - it's an enjoyable romp, but it doesn't have any aspirations to be anything new or original or even different. The entire plot is built on a series of tired Alice in Wonderland parallels (with a healthy dose of references to The Beach thrown in for good measure). And it could easily have been so much more. As well as his arsenal of heavy weapons, your character is also armed with a camera -- a tool for exploration, for documenting things -- and this could have been used in interesting ways; integrated into the gameplay somehow, but instead it's only ever used to identify enemies before you kill them.
As much as I'm enjoying Far Cry 3, I can't help thinking of it in terms of games it's not because it's just a very bland game done very well. And it could have been so much more, if it tried.# 4 minute read · Wednesday Feb 6, 2013